
THE STUDIO
where ideas take form

Works in progress, finished pieces, materials, tools, and notes from the making process — from first gestures to quiet conclusions.
I’m interested in how work unfolds over time: through repetition, return, and attention. Not everything here is complete. Some things are still becoming.









PRESERVING
Photography threads through my practice as both document and material. I use the camera to notice—light on the land, fragments of domestic life, gestures that might otherwise pass unseen—often returning to these images through collage, print, and reworking.
I manipulate photographic imagery through post-production and print, moving between digital processes and the darkroom, where photograms, filters, and layered interventions allow the image to shift, fragment, and re-form.
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Pressed flowers appear as acts of attention and preservation. Gathered slowly and flattened by time, they become both record and relic—markers of season, place, and care—woven into paper works and books as quiet companions to image and text.



I work slowly, returning to the same landscapes, materials, and gestures over time — allowing meaning to surface through repetition, erosion, and care.
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The work is led by walking, gathering, photographing, and listening. What emerges is shaped as much by the land as by the act of making itself.







ARTIST BOOKS
Artist books are where these elements are held together. Part archive, part experiment, they allow photography, plant material, writing, and mark-making to live side by side. These books are not conclusions, but vessels—spaces where the work can unfold, layer by layer.


AN.ARTIST'S.HOME
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For my darling mother — everything I am began with her.
For what she made, for what she gave, and for what continues through me now.
